Moroso has released 30 cement editions of the combined seat and table
that Daniel Libeskind designed for Marina Abramovic’s live art piece,
Counting the Rice, earlier this year. Libeskind’s design is a series of
connected angular planes that form the back, seat,
base, supports and tabletop. The work surface is angled down towards
the user and features a small lip to prevent the grains from rolling
off. ‘The slab of cement folds over itself, enfolding and pushing the
body to carry out the performance, while the vigorous gestural
expressiveness of the form is embossed across its surface with complex
geometries that give a sense of visual fragmentation,’ said a statement
from Moroso.
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